Four years after Black
Gives Way to Blue blew the rock world’s collective mind, Alice In Chains
has come back with their fifth full-length album and second to feature
guitarist/vocalist William DuVall. That album’s success and ensuing tours gave
the band the right to be complacent. But while The Devil Put Dinosaurs Here upholds the band’s expectations for
excellence, it’s a much safer listen than its oddball title would suggest.
For the most part, the album doesn’t stray too far from the
one before it and could be described as a “typical” Alice In Chains effort.
Jerry Cantrell continues to dominate and define the sound as his riffs provide
a murky atmosphere and his vocal harmonize well in the rare moments when he is
not singing lead. Fortunately, the other members still stand out as DuVall is a
little more prominent than before and Mike Inez’s bass playing is as prominent
and powerful as ever.
But in an odd twist, this album is somewhat brought down by
it lacking the depressing mood that the band has thrived on since the days of Dirt. The tone is certainly morose and
would be absolutely melancholic with a lesser band, but the ballads don’t tear
your heart out as badly and there isn’t a heavy track that truly makes you want
to crawl in a hole and die. It’s as if the band exorcised their last demons
with Black Gives Way To Blue and is
still figuring out what to do with their newfound freedom.
Fortunately, the band’s songwriting prowess ultimately
prevails and the songs continue to showcase their signature variety. The
heavier songs prove to be the strongest as the sludgy riffs on “Hollow” and
“Stone” make them obvious choices for singles, the title track serves as a
smooth successor to “Love, Hate, Love,” “Phantom Limb” is an doomy update of “Sickman”
and “Junkhead,” and “Lab Monkey” dares to be among the slowest songs under the
Alice In Chains name. The ballads are also put together well with “Voices”
being a particular highlight.
If Black Gives Way To
Blue was the glorious comeback that no one expected to be good, then The Devil Put Dinosaurs Here is the
great album that everyone expected to be glorious. They’ll certainly never get
to the same mindset as their early 90s reign, but this album is cut from the
same cloth as its predecessor and should please a good bulk of its fans. Now
where’s another acoustic EP? You bastards are way overdue…
Current Highlights:
“Stone”
“Voices”
“The Devil Put Dinosaurs Here”
“Lab Monkey”
“Phantom Limb”
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