Despite the severe time lapse, Last Rites isn't too far removed from its predecessor in that it spends more time reaching back to 70s rock than any doom aspirations. However, it sets apart by using the psychedelic textures to create a more somber, reflective atmosphere. Even the heavier numbers like "Into The Ground" and "Nothing Left" have a more contemplative side that fits right in with the softer numbers.
The band dynamic also seems to have straightened out. The vocals haven't exactly improved but they haven't sounded this good since the 90s and really fit in with the album's melancholic feel. Griffin's tone isn't quite as blistering as before but his presence gives the material some weight and he even performs lead vocals on the wistful "American Dream." No word on how they managed to pry the microphone away from Liebling long enough for them to pull that off...
Pentagram's albums never reached a quality in need of a traditional comeback, but Last Rites showcases a band that feels revitalized, reflective, and perhaps even a little ready for the future. It's probably on the same level as the post-Death Row material before it but it may be easier to get into for newer fans. We can only hope for a better balance between rock and doom in the future now that Victor Griffin's back in the fold; the "All Your Sins" reprisal has to be hinting at something...
"Into The Ground"
"Everything's Turning to Night"
"Walk In The Blue Light"