Album Review: Mayhem - Daemon

It would be disingenuous to expect Mayhem’s sixth full-length to achieve the classic sound of De Mysteriis Dom Sathanas, but the band also hasn’t sounded this natural in a long time. The production is very well balanced, sidestepping the industrial precision of 2014’s Esoteric Warfare but avoiding the lo-fi claustrophobia of 2007’s Ordo Ad Chao. The guitars are earthy, the drumming sounds organic, and the bass maintains a sturdy presence throughout with the occasional shining segment.

Even with a more orthodox style at work, any project with Attila Csihar on vocals is bound to make the most of his predictable unpredictability. The bulk of his delivery consists of his signature growling bellow but there’s plenty of room for throat singing, distant operatic warbling, and contorted roars. The instrumental layers may be rather straightforward in comparison, but the guitars do a great job of serving up theatrical buildups and intricate riffs.

Said riffs aren’t quite on the ear catching level of the classics, but the songwriting serves up plenty of memorable numbers. “The Dying False King” wastes no time in setting up the blasting onslaughts to follow but “Falsified and Hated” makes for the best example thanks to its off-kilter sound effects. A more atmospheric direction is set up with “Malum” and “Aeon Daemonium” that reaches its full height with the symphonic swells of “Daemon Spawn” and “Invoke the Oath.”

Overall, Daemon isn’t quite the second coming of classic Mayhem but it’s their best album since at least 2004’s Chimera. The album would’ve benefitted from a shorter runtime and the ingredients are all pretty much meat and potatoes, but the performances are lively, and the songwriting is dynamic enough to keep from feeling stale. The black metal world has more revolutionary things going on elsewhere but it’s nice to stop by and see the band still holding up nicely.

Highlights:

“Malum”

“Falsified and Hated”

“Aeon Daemonium”
“Daemon Spawn”
“Invoke the Oath”

Final Grade: B+

Album Review: Coffin Rot - A Monument for the Dead

Coffin Rot’s debut album is right in line with the sort of death metal that’s been picking up traction in the last couple years. Their overall style is somewhere between Entombed and Autopsy with ultra-deep gurgles and grimy guitars that alternate between eviscerating blasts and groovier excursions. But while the Portlanders aren’t the most unique group in the scene at large, they’ve already set themselves apart as one of the most enjoyable.

As befitting the aesthetic, the album is presented with just the right amount of filth. The raw production job swiftly dissuades any notions of polish but there’s enough balance for the savagery to still have some semblance of coherency. The musicianship conveys this mindset even further as the drums put forth some intricate patterns that avoid sounding too mechanical or sloppy while the guitar tone is grainy yet beefy. The growls can be one-note and the bass can sometimes be lost to the grime, but it all works well together.

But what ultimately works in Coffin Rot’s favor is their ability to write songs that are actually memorable. These tracks aren’t exactly dynamic and feature the constant tempo shifts that can quickly lead to interchangeability, but the band is really good about providing ear catching riffs that better prepare the listener for the onslaughts to come. “Forced Self-Consumption” is a strong standout in this regard due to its downright swinging riff set while “Miasma of Barbarity” and “Incubation of Madness” make the most of those grooves. Elsewhere, “Saw Blade Suicide” and “Necrotized” make for some short but sweet rollercoasters.

The album’s coup de grace comes with the band’s self-titled song. The seven-minute runtime casts a menacing shadow over the largely two to four-minute bashings before it and its crawling pace fully embraces the doom that was merely hinted at. It’s enough to make you wonder why they didn’t self-title the album itself, but A Monument for The Dead is a pretty sweet moniker.

Overall, Coffin Rot’s debut album is an incredibly strong first impression. While this filthy brand of death metal could hardly be called accessible in the traditional sense, the band’s penchant for catchy riffs in combination with a compact half hour runtime makes it easier to get into compared to many of their peers. They may not bring much to the table in terms of originality but they’re quite endearing.

Highlights:
“Saw Blade Suicide”

“Forced Self-Consumption”

“Incubation of Madness”
“Coffin Rot”

Final Grade: A-